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Mary Beltrán


Core FacultyPh.D., The University of Texas at Austin

Associate Professor in the Department of Radio-Television-Film, Moody School of Communication
Mary Beltrán

Contact

Interests


The construction of race, gender, and class in U.S. television, film, and celebrity culture, with emphasis onLatina/o and mixed-race representation, and the ways in which media texts and producers articulate and challenge social hierarchies and group and national identities. Critical and cultural studies of television and film, feminist media studies, U.S. television and film history, celebrity studies, media activism and alternative media.

Biography


Mary Beltrán is an Assistant Professor of Radio-Television-Film, specializing in critical race studies and television and film studies. She also is a faculty affiliate of UT's Center for Mexican American Studies and Center for Women’s and Gender Studies. She joined the RTF faculty in Fall 2011 after having served as an Assistant and Associate Professor of Communication Arts and Chicana/o-Latina/o Studies at the University of Wisconsin for eight years.

Courses


WGS 324 • Latina Feminisms And Media

46853 • Fall 2016
Meets TTH 12:30PM-2:00PM CMA 3.116
(also listed as MAS 374, RTF 359S)

Special topics related to the critical analysis of media in cultural contexts. Survey of Chicana and Latina feminist scholarship, activism, and creative expression with an emphasis on Latina media production and representation in U.S. entertainment media.

Only one of the following may be counted: Mexican American Studies 374 (Topic: Latina Feminisms and Media) Radio-Television-Film 359 (Topic: Latina Feminisms and Media), 359S (Topic 9), Women's and Gender Studies 324 (Topic: Latina Feminisms and Media).

Prerequisite: Upper-division standing.

May be counted toward the writing flag requirement. May be counted toward the cultural diversity flag requirement.

Course number may be repeated for credit when the topics vary.

 

AMS 391 • Race/Class/Gender In Amer Tv

30114 • Fall 2015
Meets T 3:30PM-6:30PM CMA 6.172

Graduate standing required. Permission from instructor required.

MAS 374 • Latina/Os And Us Media

35150 • Fall 2015
Meets TTH 12:30PM-2:00PM CMA 3.116
(also listed as RTF 359)

FLAGS:   CD  |  Wr

 

Latina/os & U.S. Media provides a critical survey of the representation and participation of Latinos and Latinas in U.S. English-language film and television since the era of silent film.  Through weekly screenings, readings, and discussion we will explore how Mexican Americans and other Latina/os have been depicted in U.S. film, television, and celebrity culture, with focus on how specific Latina/o groups have been portrayed and Hollywood’s construction of Latinidad more generally.  Intersections with gender, race, citizenship, class, sexuality and other elements of identity also will be highlighted and explored.  We’ll also survey the work of U.S. Latino and Latina media producers, paying special attention to the ways in which the images and media texts that they construct offer counter narratives to Hollywood films and television. We’ll also explore contemporary issues and debates related to Latina and Latino representation and media production in the U.S., media industry shifts related to the representation of and outreach to Latina/os, and shifting and static notions of Latinidad in the national imaginary. Although a variety of media studies approaches are taken up in the readings, critical and cultural studies approaches will be emphasized.

 

WGS 324 • Race/Class/Gender In Amer Tv

46565 • Spring 2015
Meets MW 3:30PM-5:00PM CMA 3.116
(also listed as AMS 321, MAS 374, RTF 335)

Multidisciplinary course examining issues of women, gender, and sexuality in media industries, texts, and audiences.

WGS 324 • Latina Feminisms And Media

47765 • Fall 2014
Meets TTH 3:30PM-5:00PM CMA 3.120
(also listed as MAS 374, RTF 359)

Cross-listed with MAS and WGS 324

This upper-division undergraduate course surveys Chicana and Latina feminist scholarship, activism, and creative expression, with an emphasis on media production.  We will explore therise and development of Latina feminisms and activism in relation to the Chicana/o, Puerto Rican, and U.S. women’s movements and in relation to historical and social contexts for women and girls of Mexican American and other U.S. Latina heritage.  The last half of the course will survey scholarship on Latina participation and representation in mediated popular culture and strategies of resistance enacted through Latina film and media production.  Carries both the Cultural Diversity and Writing flag.

WGS 393 • Latina Feminisms And Media

48230 • Spring 2014
Meets W 2:00PM-5:00PM CMA 6.172
(also listed as MAS 392, RTF 386C)

This graduate seminar surveys Chicana and Latina feminist scholarship, activism, and creative expression, with an emphasis on media production.  We will explore the rise and development of Latina feminisms and activism in relation to the Chicana/o, Puerto Rican, and U.S. women’s movements and in relation to historical and social contexts for women and girls of Mexican American and other U.S. Latina heritage.  The last half of the course will survey scholarship on Latina participation and representation in mediated popular culture and strategies of resistance enacted through Latina film and media production.  

AMS 391 • Race Ethnicity In American Tv

30915 • Fall 2013
Meets T 9:30AM-12:30PM CMA 5.130

Graduate standing required. Permission from instructor required.

MAS 374 • Latina/Os And Us Media

36210 • Fall 2012
Meets TTH 3:30PM-5:00PM CMA A3.120

Please check back for updates.

AMS 391 • Mixed Race Rep & Critical Thry

30923 • Spring 2012
Meets F 9:00AM-12:00PM NOA 1.110

Graduate standing required. Permission from instructor required.

RTF 386C • Race/Class/Gender In Amer Tv

08587 • Fall 2011
Meets T 2:00PM-5:00PM UTC 1.136
(also listed as AMS 391)

Television is one of the primary forums through which American notions of race, ethnicity, and citizenship, have been constructed, in intersection with class and gender; this graduate seminar explores the evolution of these dynamics in U.S. televisual representation. In addition to study of how racial and ethnic diversity has been represented in entertainment television since its inception and how various racialized and ethnic groups have participated in television production and consumption, scholarship on these topics and areas of theoretical and popular contention will be surveyed.

Key concepts interrogated include race, racialization, whiteness, the intersectionality of constructions of race, class, and gender, debates over equitable representation and television as a public forum, self-representation and television authorship, diaspora and transnational television flows, and cultural hybridity versus cultural appropriation. A variety of media studies approaches are taken up in the readings, with critical and cultural studies approaches emphasized.

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