Michael P Harney

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Study of important themes or issues in the cultural production of the Iberian world. Subjects include various cultural expressions and their relevance in specific political and historical contexts.

Topic 1: Hispanic Chivalry. Study of the origins of chivalry with mounted warriors in feudal and crusading warfare. Emphasis on how knights became either the goons and enforcers, robbers of barons, or heroes and protectors of the people with the end of the crusading and Reconquest eras.

Topic 2: Cultures in Contact in Medieval Spain. Focus on the works of literature that reflect the three cultures which coexisted and flourished for almost eight centuries in medieval Spain: the Islamic, the Jewish, and the Christian.

Topic 3: Space in Contemporary Iberian Literatures and Cultures. Studies the representation of space in contemporary Spanish literature, with an emphasis on questions of gender, sexuality, memory, class, and artistic imagination.

Topic 4: Violence and Identity in Early Modern Spain. Examines the tensions between individual and society, between self and other, in the dramatic literature of early modern Spain, focusing on the themes of war, conquest, race, sex, and gender.

DESCRIPTION:  An introductory graduate course designed to do two things: to offer students a basic orientation in literary and cultural theory, and to survey a number of practical issues that present themselves as students make their way through the program. Each class session will be divided into discussions of practical topics and theoretical topics. The various critical and theoretical schools (e.g., Formalism, Structuralism, Deconstructionism) are represented by passages selected from relevant and influential authors. This course is designed to help the student navigate in the Ocean of Theory. We cannot hope to read everything relevant. But we can get some sense of a significant archipelago of influential works.

 REQUIRED TEXTS: electronic texts provided by instructor.

 ACADEMIC / LEARNING GOALS: Students will improve their ability to: read, comprehend, analyze, and discuss  literary, theoretical, and cultural text in Spanish; write Spanish prose while recognizing, defining, and employing rhetorical, literary, and historical terms; select and develop a specific research topic; construct and defend a central hypothesis in an extended written format using correct Spanish; respond to editorial comments on précis and preliminary prospectus leading up to the final research paper; carry out preliminary bibliographic surveys in consultation with instructor; orally present a paper on a selected research topic and engage in Q&A with fellow class members. Student performance to be assessed through evaluation of and commentary onquizzes, exams, essays, bibliographic surveys, research presentations, and in-class participation.

 GRADING:

PAPERS. 1 5-PAGEPRELIMINARYPROSPECTUS(1 rewrite, 15%); 1 15 to 20-PAGEFINAL RESEARCH PAPER (50%). 

1 WEEKLY PRÉCIS of CURRENT READINGS (15%).

1 15-MINUTE ORAL PRESENTATION of GENERAL CRITICAL TOPIC (10%).

1 15-MINUTE ORAL PRESENTATION of RESEARCH PAPER TOPIC (10%)

Please check back for updates.

Please check back for updates.

Brings together central issues, concepts, and themes that define Iberian or Latin American literatures and cultures, while focusing on a specific case-study or case-studies.

Description:
Space opera may be the most profitable genre in the on-going history of globalized entertainment media.  Although it chiefly evolved as an American pulp-fictional genre in the early-twentieth century, its appeal is by no means limited to American audiences.  Its multi-billion dollar reach is planetary, as Avatar showed, earning more than twice as much abroad as it did in the United States.  How to explain this genre’s remarkable international and multi-cultural popularity?  Audience reception, of course, cannot be explained by merely enumerating a genre’s characteristic traits.  If that were the case, then every specimen of space opera, whether literary or cinematic, would be a bestseller or a blockbuster, which is not the case – the genre has plenty of publishing and box office duds.  So specific artistry has something to do with the genre’s most spectacular successes.  At the same time, its huge appeal must have something to do with its peculiar mix of themes and plot elements.  This course examines first of all the genre’s prehistory.  Space opera retells certain kinds of stories that have been popular since ancient times.  It is a sub-type of a historically significant genre: the adventure romance, and more particularly, the medieval chivalric romance, a type of story blending knight-errantry, courtly love, and crusading ideology.  As we trace the history of space opera from its origins as repackaged chivalric romance steeped with nineteenth-century quixotism, we will see along the way how it affiliates with various historical developments, like imperialism and colonialism.  We will also see its affiliations with other forms, like the literature of travel, exploration, conquest, and lost worlds; crusading narratives; fantasy literature (e.g., Lord of the Rings, Game of Thrones); westerns (“horse operas”); and above all, superhero narratives.

Required Texts/Readings:

Homer, selections from The Odyssey

Garci Rodríguez de Montalvo, selections from Amadis of Gauland and The Deeds of Esplandián

Geoffrey of Villehardouin, The Conquest of Constantinople

Sir Walter Scott, The Talisman

Joseph Conrad, Heart of Darkness

Arthur Conan Doyle, The Lost World

Edgar Rice Burroughs, A Princess of Mars, The Gods of Mars, The Warlord of Mars

T. E. Lawrence, selections from Seven Pillars of Wisdom

Iain M. Banks, Consider Phlebas

Arthur C. Clarke, The City and the Stars

Recommended Secondary Works:
Bakhtin, Mikhail. “The Epic and the Novel”

Campbell, Joseph. Hero With a Thousand Faces

Frye, Northrop. The Secular Scripture: A Study of the Structure of Romance

Film, TV, & other media (including video games and other derivations):

John Carter (2012)

Star Wars series

Shane (1953)

Excalibur (1981)

Battlestar Galactica (TV series, 1978-79 & reboot, 2004-2009)

Guardians of the Galaxy, parts I & II (2014)

Flash Gordon (1930’s serials)

Flash Gordon (1980 film)

Excalibur (1981)

Firefly (TV series; Serenity (2005 film; conclusion to Firefly series)

Avatar (2009)

Lawrence of Arabia (1962)

Star Trek (original TV series and all reboots and derivations in various media)

Andromeda  (TV series, 2000-2005)

Stargate (1994 film & all TV derivations)

Farscape (TV series, 1999-2003)

Monty Python and the Holy Grail (1975)

Spaceballs (1987)

Lord of the Rings (all media)

Game of Thrones (all media)

Assignments:

2 Quizzes:  10%

Mid-Term Exam:  15%

Final Exam:  25%

Research Paper Prospectus: 5%

Research Paper Draft: 10%

Research Paper: 20%

2 Oral Presentations: 10%

Attendance and meaningful participation: 5%

About the Professor:

 Michael Harney, Professor, Dept. of Spanish & Portuguese, Comparative Literature Program. Ph.D, Comparative Literature, University of California, Berkeley, 1983. Teaching at UT since 1986. Books include: translation & edition of Cervantes's Exemplary Novellas (Hackett Publishing, 2016); Race, Caste, and Indigeneity in Medieval Spanish Travel Literature (Palgrave Macmillan, 2015); translation & edition of The Epic of the Cid (Hackett Publishing, 2011); Kinship & Marriage in Medieval Hispanic Chivalric Romance (Brepols, 2001). Recent articles: "Echoes of Hispanic Conquest Narrative in James Cameron’s Avatar" (Miríada Hispánica 12, 2016); “The Cantar de Mio Cid as Pre-War Propaganda” (Romance Quarterly 60, 2013); “Folklore and Identity in Dracula” (Revista de Filología y Lingüística de la Universidad de Costa Rica 38, 2012); “Amadís, Superhero” (La Corónica 40, 2012); “Tarzan in Novel and Film” (in The Legend Returns and Dies Harder Another Day: Essays on Film Series, McFarland, 2008). Interests: medieval literature and cultural history; translation studies; popular culture; film history; adventure fiction; travel literature; science fiction and fantasy; superheroes. Hobbies: photography and graphic arts; collecting comic books and graphic novels; collecting translations, in various languages, of sci-fi, fantasy, and adventure fiction.

A course that studies the history and culture of sports, games, and recreation in the Hispanic World.  

Study of important themes or issues in the cultural production of the Iberian world. Subjects include various cultural expressions and their relevance in specific political and historical contexts.

Topic 1: Hispanic Chivalry. Study of the origins of chivalry with mounted warriors in feudal and crusading warfare. Emphasis on how knights became either the goons and enforcers, robbers of barons, or heroes and protectors of the people with the end of the crusading and Reconquest eras.

Topic 2: Cultures in Contact in Medieval Spain. Focus on the works of literature that reflect the three cultures which coexisted and flourished for almost eight centuries in medieval Spain: the Islamic, the Jewish, and the Christian.

Topic 3: Space in Contemporary Iberian Literatures and Cultures. Studies the representation of space in contemporary Spanish literature, with an emphasis on questions of gender, sexuality, memory, class, and artistic imagination.

Topic 4: Violence and Identity in Early Modern Spain. Examines the tensions between individual and society, between self and other, in the dramatic literature of early modern Spain, focusing on the themes of war, conquest, race, sex, and gender.

Study of important themes or issues in the cultural production of the Iberian world. Subjects include various cultural expressions and their relevance in specific political and historical contexts.

Topic 1: Hispanic Chivalry. Study of the origins of chivalry with mounted warriors in feudal and crusading warfare. Emphasis on how knights became either the goons and enforcers, robbers of barons, or heroes and protectors of the people with the end of the crusading and Reconquest eras.

Topic 2: Cultures in Contact in Medieval Spain. Focus on the works of literature that reflect the three cultures which coexisted and flourished for almost eight centuries in medieval Spain: the Islamic, the Jewish, and the Christian.

Topic 3: Space in Contemporary Iberian Literatures and Cultures. Studies the representation of space in contemporary Spanish literature, with an emphasis on questions of gender, sexuality, memory, class, and artistic imagination.

Topic 4: Violence and Identity in Early Modern Spain. Examines the tensions between individual and society, between self and other, in the dramatic literature of early modern Spain, focusing on the themes of war, conquest, race, sex, and gender.

Brings together central issues, concepts, and themes that define Iberian or Latin American literatures and cultures, while focusing on a specific case-study or case-studies.

DESCRIPTION: No course can “cover” all of literary and cultural theory. One can only read and discuss a small subset of all the interesting and significant theoretical texts. In this course, students analyze, in broad terms, literature and culture in historical context. Typical Issues covered in class discussions will be: the original cultural environment or audience of literary texts; problems of literary and cultural taxonomies; the cultural significance of literary schools, genres and movements. This essentially historicist approach will involve examination of selected passages from works in the disciplines imposed by the logic of historicist method and cultural criticism, among them cultural and social anthropology, sociology, psychology, political science, and theories of race and indigeneity.  We cannot hope to read everything relevant. But we can get some sense of a significant archipelago of influential works and a relevant array of concepts.

 REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome):              50%

1 20-30-minute research topic presentation                            15%

1 20-30-minute topical presentation                                       15%

1 WEEKLY 250-word précis of each assigned reading                20%

TEXTBOOKS AND/OR CLASS MATERIALS:

Electronic reader (containing selections from such works and authors as the following):

B. Anderson, Comunidades imaginadas

E. Auerbach, Mímesis

M. Bajtín, La cultura popular en la edad media y renacimiento

E. Balibar and I. Wallerstein, Race, Nation, Class: Ambiguous Identities

M. Banton, The Idea of Race

R. Barthes, “Mito”

T. Eagleton, Una introducción a la teoría literaria

M. Foucault, Vigilar y castigar

D. T. Goldberg, The Racial State

L. Grossberg, Estudios culturales. teoría, política y práctica

Grupo de Barbados, Indianidad y Descolonización en América Latina

S. Gruzinski, La guerra de las imágenes: de Cristóbal Colón a “Blade Runner” (1492-2019)

A. Memmi, Racism

E. Said, Orientalismo

R. Stavenhagen, Derecho Indígena y Derechos Humanos en América Latina

L. Villoro, Los grandes momentos del indigenismo

E. Wolf, Europa y la gente sin historia

Brings together central issues, concepts, and themes that define Iberian or Latin American literatures and cultures, while focusing on a specific case-study or case-studies.

The Signature Course (UGS 302 and 303) introduces first-year students to the university’s academic community through the exploration of new interests. The Signature Course is your opportunity to engage in college-level thinking and learning.

DESCRIPTION

This course examines the representation of conquest in a number of Spanish-language narratives. We will see how physical violence is only the most obvious and, in some ways, the most trivial aspect of the process. Conquest is not completed by the subjugation of the native but rather by the replacement of the native's way of life with a new one. This usurpation is mostly non-violent in the strictly physical sense, but profoundly destructive in the cultural sense. Looking at the texts surveyed in this course, we will discover a dichotomy between military and ideological modes of conquest. This dichotomy is reflected in conquest narratives going back to the earliest vernacular accounts of conquest. In the early thirteenth century, the Cantar de Mio Cid glorifies the military mode. A decade or two later, the Libro de Alexandre, reflecting the pervasive rhetoric of the medieval estates system, subtly subordinates the military to the ecclesiastical. The same two-fold division of labor continues in effect throughout the era of New World discovery, conquest, and colonization. It is a always a matter of the warrior vs the missionary. The latter figure paradoxically completes conquest by advocating on behalf of native peoples. This course thus interprets violence as an omnipresent, bimodal cultural system that symbiotically involves both elite and subaltern groups, leading to the emergence of new cultures and polities.

REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome):              50%

1 15-20-minute research topic presentation                            15%

1 10-15-minute topical presentation                                       15%

1 250-word précis per assigned reading                                  20%

REQUIRED PRIMARY WORKS:

Cantar de Mio Cid (selected passages)

El libro de Alexandre (selected passages)

Amadís de Gaula  (selected passages)

Columbus, Diarios (selections)

Bartolomé de las Casas, Brevísima relación (selections); Historia de las Indias (selections)

Hernán Cortés, Cartas de relación (selections)

Bernal Díaz del Castillo, Historia verdadera de la conquista de la Nueva España (selections)

Francisco López de Gómara, Historia general de las indias (selections)

Pedro de Cieza de León, Discovery & Conquest of Perú (selections)

RECOMMENDED SECONDARY WORKS:

Benedict Anderson, Imagined Communities. Reflections on the Origin and Spread of Nationalism

Nancy Armstrong and Leonard Tennenhouse, eds., The Violence of Representation

Etienne Balibar and Immanuel Wallerstein,Race, Nation, Class: Ambiguous Identities

Michael Banton, The Idea of Race

Anthony Giddens, The Nation-State and Violence

David Theo Goldberg, The Racial State

Serge Gruzinski, La guerra de las imágenes: de Cristóbal Colón  a “Blade Runner” (1492-2019)

Albert Memmi,  Racism

Walter Mignolo, The Darker Side of the Renaissance. Literacy, Territoriality, and Colonization

Matthew Restall, Seven Myths of the Spanish Conquest

Description: A course about the history, sociology, folklore, and literature of banditry, piracy, warlordism, and other forms of what the social sciences call economic predation. What the course will show is that there is more to these phenomena than simple criminality. Their practitioners, even in the real world, often see themselves as members of utopic communities, as anarchic rebels against injustice, as protectors of the poor and downtrodden, as vectors of economic redistribution. Generally regarding by prosperous, lawabiding people as scary and dangerous, these outlaws are often regarded by the common folk as heroes, while the agents of law and government are seen as villains. Strangely, polite society is paradoxically fascinated and titillated by the imagery of predatory rogues, as seen in the names of sports teams (Pirates, Raiders, Buccaneers), or in such multi-media pop-cultural franchises as The Pirates of the Caribbean. The study of these themes will teach the student to describe, discuss, and analyze complex, nuanced, and contradictory social and literary phenomena, and to write concisely about these and related themes.

Texts/Readings:

REQUIRED: The Epic of the Cid; Cervantes, Rinconete and Cortadillo; John Gay, The Beggar's

Opera; R. L. Stevenson, Treasure Island.

Selections (included in electronic edition of selected passages, provided by instructor) from: the

Iliad; the Odyssey; Augustine of Hippo, The City of God; medieval Robin Hood tales; Outlaws of

the Marsh (Chinese bandit epic); Don Quijote; Dickens, Oliver Twist; Mariano Azuela, The

Underdogs

RECOMMENDED: Eric Hobsbawm, Primitive Rebels and Bandits; Peter Burke, Popular Culture in Early Modern Europe

OTHER MEDIA (selected possibilities; many others to be referred to during semester)

FILM: Viva Villa (1934); Captain Blood (1935); Treasure Island (various versions); Robin Hood of El Dorado (1936); The Adventures of Robin Hood (1938); Jesse James (1940); Viva Zapata (1952); Peter Pan (1953); Bonnie and Clyde (1967); Butch Cassidy and the Sundance Kid (1969); The Wild Bunch (1969); The Godfather, parts I & II (1972, 1974); Pirates of the Caribbean (2003); Troy (2004); Public Enemies (2009); Captain Phillips (2013).

TELEVISION: The Adventures of Robin Hood (1950's series); The Untouchables (1950's series); Sons of Anarchy; Boardwalk Empire

Assignments: TESTS: 2 QUIZZES (5%); 1 MID-TERM with take-home essay component (10%; 1 rewrite); one FINAL EXAM with essay component (25%). MT, FINAL & QUIZZES are open-book essay exams, & include ID's, terminological definitions, and brief essays.

PAPERS: 1 750-word essay prospectus (1 rewrite, 5%); 1 1250-word expanded prospectus (1 rewrite, 10%); 1 3000-word (approx. 12 pp.) final essay (1 rewrite, 30%)

ORAL PRESENTATION:individual presentation on final essay research project (10 %);ATTENDANCE / PARTICIPATION:5%

Professor Biography:

HARNEY, Michael, brief biography

Awards:

Nomination, MLA Prize for Distinguished Scholarly Edition (for The Epic of the Cid, Hackett Publishing, 2011)

Honorable Mention, Friar Centennial Teaching Award, University of Texas (2004, 1992)

Teacher of the Year, University of Texas Liberal Arts Council (1988-89)

Publications, academic areas of interest:

Cervantes, Exemplary Novellas, edition & translation (forthcoming, Hackett Publishing)

The Epic of the Cid, edition & translation (Hackett Publishing, 2011)

Kinship & Marriage in Medieval Hispanic Chivalric Romance (Brepols, 2001).

“The Cantar de Mio Cid as Pre-War Propaganda.” Romance Quarterly 60 (2013): 74-88.

“Folklore and Identity in Dracula.” Revista de Filología y Lingüística de la Universidad de Costa Rica 38, 1 (2012): 63-81.

“Amadís, Superhero.” La Corónica 40, 2 (Spring 2012): 291-318.

“Tarzan in Novel and Film.” In The Legend Returns and Dies Harder Another Day: Essays on Film Series (McFarland, 2008, 57-80).

AREAS of interest: feudalism, chivalry, and their latter-day avatars; colonial and conquest narratives; banditry, piracy, and primitive rebellion; superhero studies; science fiction, fantasy, & horror

Non-academic interests/hobbies:  collecting translations of Anglo-American science fiction, horror, & fantasy works into foreign languages (Spanish, French, German); track & field fan (ex high school track coach)

Study of important themes or issues in the cultural production of the Iberian world. Subjects include various cultural expressions and their relevance in specific political and historical contexts.

Topic 1: Hispanic Chivalry. Study of the origins of chivalry with mounted warriors in feudal and crusading warfare. Emphasis on how knights became either the goons and enforcers, robbers of barons, or heroes and protectors of the people with the end of the crusading and Reconquest eras.

Topic 2: Cultures in Contact in Medieval Spain. Focus on the works of literature that reflect the three cultures which coexisted and flourished for almost eight centuries in medieval Spain: the Islamic, the Jewish, and the Christian.

Topic 3: Space in Contemporary Iberian Literatures and Cultures. Studies the representation of space in contemporary Spanish literature, with an emphasis on questions of gender, sexuality, memory, class, and artistic imagination.

Topic 4: Violence and Identity in Early Modern Spain. Examines the tensions between individual and society, between self and other, in the dramatic literature of early modern Spain, focusing on the themes of war, conquest, race, sex, and gender.

The Signature Course (UGS 302 and 303) introduces first-year students to the university’s academic community through the exploration of new interests. The Signature Course is your opportunity to engage in college-level thinking and learning.

Latin American Studies 328 and LAS 370S may not both be counted unless the topics vary

Study of important themes or issues in the cultural production of the Iberian world. Subjects include various cultural expressions and their relevance in specific political and historical contexts.

Topic 1: Hispanic Chivalry. Study of the origins of chivalry with mounted warriors in feudal and crusading warfare. Emphasis on how knights became either the goons and enforcers, robbers of barons, or heroes and protectors of the people with the end of the crusading and Reconquest eras.

Topic 2: Cultures in Contact in Medieval Spain. Focus on the works of literature that reflect the three cultures which coexisted and flourished for almost eight centuries in medieval Spain: the Islamic, the Jewish, and the Christian.

Topic 3: Space in Contemporary Iberian Literatures and Cultures. Studies the representation of space in contemporary Spanish literature, with an emphasis on questions of gender, sexuality, memory, class, and artistic imagination.

Topic 4: Violence and Identity in Early Modern Spain. Examines the tensions between individual and society, between self and other, in the dramatic literature of early modern Spain, focusing on the themes of war, conquest, race, sex, and gender.

Please check back for updates.

A survey of the social, political, and cultural history of Spain.

DESCRIPTION:

The Eurocentrism underlying the problematic relationship of explorers, conquerors, and colonizers with populations classified as native originates long before the first encounters between Europeans and other peoples.  From an early date the related concepts of authochtony and indigeneity prepare the way for globalized identifications of visitors/newcomers and hosts/aborigenes. Indigenous difference and ethnic identity begin, in other words, as a collateral expression of both racialization and caste thinking.  Precedents were readily available in the Bible and in classics read throughout the Middle Ages (e..g, the concept of Chosen Peoples propounded by the Bible and by Virgil). Indigeneity, furthermore, can be imputed or alleged from various viewpoints. The Iberians who imposed themselves on host communities in Al-Andaluz, Africa, the Canaries, and the New World saw themselves as descendants of native peoples once invaded and colonized by Carthaginians, Greeks, Romans, Visigoths, Muslims (e.g, the many contacts and conflicts dramatized in medieval Chronicles and in the Iberian ballad tradition). This course traces the history, in ancient, medieval, and early modern texts, of indigeneity and related concepts.

REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome):                50%

1 15-20-minute research topic presentation                             15%

1 10-15-minute topical presentation                                      15%

1 250-word précis per assigned reading                                  20%

REQUIRED PRIMARY WORKS:

Sagrada Biblia (selections)

Virgilio, Eneida (selections)

Cantar de Mio Cid (selections)

Libro de Alexandre (selections)

Primera Crónica General (selections)

Libro del caballero Zifar (selections)

Libro del conoscimiento de todos los regnos (selections)

Clavijo, Embajada a Tamorlán (selections)

Tafur, Andanzas (selections)

Libro de Marco Polo (selections)

Amadís de Gaula (selections)

Columbus, Diarios (selections)

Cortés, Cartas de relación (selections)

Juan de Mandevilla, Libro de las maravillas del mundo (selections)

Romancero viejo (selections)

Bartolomé de las Casas, Brevísima relación

Bernal Díaz del Castillo, Historia verdadera de la conquista de la Nueva España (selections)

Don Quijote (selections)

RECOMMENDED SECONDARY WORKS:

de la Cadena, Marisol, and Orin Starn, eds. Indigenous Experience today

Gruzinski, Serge. La guerra de las imágenes: de Cristóbal Colón  a “Blade Runner” (1492-2019)

Fernández-Armesto, Felipe. Before Columbus: Exploration and Colonisation from the Mediterranean to the Atlantic: 1229-1492

Francis, John Michael, ed. Iberia and the Americas: Culture, Politics, and History (3 vols.)

Mann, Charles C. New Revelations of the Americas Before Columbus

Traboulay, David M. Columbus and Las Casas: the conquest and Christianization of America

Study of Cervantes's Don Quijote in depth in the original Spanish. Examines the author's views on artistic freedom, as well as his manipulation of literary genres and conventions, with his questions regarding the dominant political, religious, and literary discourses of early modern Spain.

Please check back for updates.

Study of Cervantes's Don Quijote in depth in the original Spanish. Examines the author's views on artistic freedom, as well as his manipulation of literary genres and conventions, with his questions regarding the dominant political, religious, and literary discourses of early modern Spain.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

DESCRIPTION

This course examines literary manifestations of violence, both literal and metaphorical. Recent studies of media violence and audience responses to it suggest that media violence can be classified according to intensity (playful or unrealistic; realistic or graphic), authenticity (i.e., involving violence close to the viewer's reality, such as domestic violence, or as in news footage or documentaries), or degrees of metaphor or literalness. Theoretical analyses and literary representations of violence can range from the very abstract and detached to the very specific and meticulous. Some of these analytical schemes can be applied to literature of the past; others are more problematic. What is clear is that medieval and early modern Spanish literature exhibits its share of violence, both literally graphic and metaphoric-hegemonic. The Cantar de Mio Cid is about feudal and frontier warfare. But its most violent depictions involve extreme domestic violence (assault and rape). Berceo's Milagros de Nuestra Señora express virulent anti-Semitism and clearly approve of inquisitorial interrogation and pogroms. Amadís, the most famous and popular chivalric romance, contains numerous scenes of violence worthy of the most graphic horror films of the present day. La Celestina, wallowing in a sordid urban reality that prefigures the dog-eat-dog naturalism of a Pardo Bazán or a Zola, culminates in murder and execution. Bernal's Historia verdadera depicts big-canvas scenes of slaughter, mayhem, and torture. Lope's Fuenteovejuna dramatizes a story arc of seignorial oppression in the form of rapes and beatings, of peasant uprising that takes the form of quasi-ritual lynch mob violence, and of monarchic investigation involving mass torture of an entire community.  Don Quijote often provokes hilarity by its scenes of violence, which seem cartoonish (beatings, thrashings, lopped ears, smashed teeth, thwacked skulls, etc.), until we directly compare them to analogous scenes in the romances. The course interprets violence as a diffuse but omnipresent cultural system that involves both elite and subaltern groups.

REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome):              50%

1 15-20-minute research topic presentation                            15%

1 21-20-minute topical presentation                                        15%

1 WEEKLY 250-word précis of assigned reading                      20%

PRIMARY WORKS:

Cantar de Mio Cid (selected passages)

Berceo, Milagros de Nuestra Señora (selected passages)

Amadís de Gaula  (selected passages)

La Celestina

Hernan Cortés, Cartas de relación (selections)

Bernal Díaz del Castillo, Historia verdadera de la conquista de la Nueva España (selections)

Don Quijote (selections)

Lope de Vega, Fuenteovejuna

SECONDARY WORKS:

Mikhail Bakhtin, The Dialogic Imagination

Jody Enders, The Medieval Theater of Cruelty: Rhetoric, Memory, Violence

Anthony Giddens, The Nation-State and Violence

René Girard. Violence and the Sacred

Serge Gruzinski, La guerre des images: de Christophe Colomb à “Blade Runner” (1492-2019)

Nancy Armstrong and Leonard Tennenhouse, eds. The Violence of Representation. Literature and the history of violence

Please check back for updates.

A survey of the social, political, and cultural history of Spain.

COURSE DESCRIPTION

The medieval and early-modern Spanish works contemplated by this course are important landmarks in Peninsular literary history. The themes singled out for discussion are those centering on travel and tourism. In these aspects, the works studied show striking affinities with certain ancient and medieval antecedents, especially Herodotus and Marco Polo. Akin to these predecessors in their touristic and ethnographic orientation, the works in question differ from them in their commitment to a narrative of journeys. They also articulate with various other literary genres and disciplines, such as biography, chivalric romance, geography, and history. Topics covered in the course include: narratological issues and problems in generic classification; empirical description and ethnographic relativism; touristic themes; the parallelism of late-medieval and early-modern tourism and knight-errantry; the perception of cultural and political boundaries and discontinuities; the manipulation of “storyscapes” that highlight otherness within touristic space; role-playing (e.g., traveling incognito, going native); literary tourism as an element of the ancestral entertainment industry.

REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome): 50%

1 20-30-minute research topic presentation 15%

1 20-30-minute topical presentation 15%

1 250-word précis of each assigned reading 20%

READINGS:

Libro de Alexandre (selections)

Berceo, Milagros de Nuestra Señora (selections)

Libro del caballero Zifar (selections)

Libro del conoscimiento de todos los regnos (selections)

Embajada a Tamorlán

El Victorial (selections)

Andanças e viajes de Pero Tafur

Libro de Marco Polo (selections)

Amadís de Gaula (selections)

Columbus, Diarios (selections)

Cortés, Cartas de relación (selections)

Juan de Mandevilla, Libro de las maravillas del mundo (selections)

Bernal Díaz del Castillo, Historia verdadera de la conquista de la Nueva España (selections)

Bartolomé de las Casas, Brevísima relación

Don Quijote (selections)

Electronic reader (various excerpts)

Description: A course devoted to a close reading of the entire text of Cervantes's Don Quijote. Most literary historians consider this book to be the first modern novel. Many famous novelists in the four centuries since its publication regard it as their favorite. It is a long novel (more or less a thousand pages in the typical edition).  We will read the whole book in the course of the fifteen-week semester. By close reading is meant an approach that focuses on precise understanding of the text. The professor teaching this course believes that one must first read the lines before reading between them. At the same time, the project of reading a work so rich in cultural and literary references has to be enhanced by frequent discussion of historical, literary, philosophical, folkloric, linguistic, ethnographic, and sociological background. You have to learn a lot about Golden Age Spain and Early Modern Europe to get the vast and complicated joke of this novel. We will therefore digress as often as is convenient, explaining recondite details and pointing out parallels and analogies as best we can. In addition, we will read one work of criticism: Mikhail Bakhtin's The World of Rabelais. The latter work offers a theory that explains the cultural spirit of Cervantes, and his time, place, and people. At the same time, it situates Don Quijote in a literary, folkloric, and cultural tradition that stretches back thousands of years, while looking forward to our own world, a reality in many ways preconditioned by that of Imperial Spain.

Texts/Readings:Don Quijote

Assignments:2 quizzes                        10%

1 mid-term with take-home essay        20%

1 final exam with essay            30%

Research prospectus                5%

15-page research paper                35%

About the Professor:

Michael Harney received his Ph.D. from the University of California, Berkeley. ??He specializes in?Medieval Peninsular Literature?and Golden Age Peninsular Literature, and his?research interests include?Medieval and Renaissance Spanish Literature, Comparative literature, literary theory, and cultural theory.??In addition to the Don Quijote TC, he teaches Advanced Grammar and Composition I.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

A survey of the social, political, and cultural history of Spain.

MW 2:00-3:30 PM

DESCRIPTION:

Medieval Spanish literary history offers one of the most striking examples of a literary genre self-consciously defined as a reaction to another genre and to the audience of that genre. At the same time, Mester de clerecía was as often as not aimed at "popular" audiences, while mester de juglaría might well have been sometimes aimed at socially elite audiences. The mester de clerecía is not just a metrical style. It is, variously, a literary and rhetorical movement a world view, a narrative poetic style, a social and political outlook, a concept of history. While the practitioners of this system differed greatly among each other--there is a world of difference between a Berceo and a Lopez de Ayala, between the Libro de Alexandre and the Libro de buen amor--the challenge to our interpretative ability in dealing with this school is not in noting the obvious differences and contrasts. The aim of this course is to explain, or to suggest the outlines of an explanation, of the common denominators among the various practitioners of this poetic mode.

 REQUIREMENTS AND GRADING:

1 term paper, 15-20 pages (longer papers welcome): 50%

1 20-30-minute research topic presentation 15%

1 20-30-minute topical presentation 15%

1 WEEKLY 250-word précis of assigned reading 20%

PRIMARY WORKS (REQUIRED):

Libro de Alexandre (selected passages)

Berceo, Milagros de Nuestra Señora

Libro de Apolonio

Poema de Fernán González (selected passages)

Juan Ruiz, Libro de buen amor

Sem Tob, Proverbios morales

Pero López de Ayala, Rimado de palacio

SECONDARY WORKS (RECOMMENDED):

Américo Castro, The Spaniards

Charles Fraker, The Libro de Alexandre: Medieval Epic and Silver Latin

Julian Weiss, The 'Mester de clerecia': Intellectuals and Ideologies in Thirteenth-Century Castile

Ben E. Perry, Ancient Romances: A Literary-Historical Account of Their Origins

This course has a writing flag.

Description:

This course has several objectives. The first is to read the entire text of the Histories of Herodotus of Halicarnassus. This is one of the best and most widely read works in the history of writing. Pick your top ten authors: chances are, all or most have read and loved this work. Herodotus is one of those writers who entertains while instructing. Called by some the father of history, by others the father of lies, he is above all a yarn spinner. His book is full of anecdotes, tales, myths, reports. A polymathic and highly digressive gossip, he is curious about everything. You could call him the father of ethnography, geography, travel writing, tourist guides, and the literature of exploration and conquest. If he were brought back to life, one would think he would host a talk show of some kind. Maybe something like: “Geography Tonight: Up Close and Personal.”

In addition to reading and discussing this great book, we will also read excerpts from the many writers who have carried on the Herodotean tradition. These include Pausanias, the author of the earliest extant tourist guide; the geographer Strabo; the medieval Jewish traveler Benjamin of Tudela; Marco Polo; early-modern Spanish travel writers, including Cervantes; travel writers of the 18th and 19th centuries, including Sir Richard Burton (famous seeker of the Nile's source); 20th-century travel writers like T. E. Lawrence (Lawrence of Arabia) and Alan Moorehead (author of The White Nile).

Texts/Readings:

REQUIRED:

1. Herodotus, Histories (electronic edition, provided by instructor)

2. Electronic reader of textual excerpts.

RECOMMENDED (to be put on reserve, PCL):

François Hartog, The Mirror of Herodotus: the Representation of the Other in the Writing of History.

Alan Moorehead, The White Nile

T. E. Lawrence, Seven Pilars of Wisdom.

Rosaria Vignolo Munson, Telling Wonders: Ethnographic and Political Discourse in the Work of Herodotus.

Rosalind Thomas, Herodotus in Context : Ethnography, Science and the Art of Persuasion.

Assignments:

TESTS: 

2 QUIZZES (5%)

1 MID-TERM with take-home essay component (15%)

1 FINAL EXAM with essay component (25%).

MT, FINAL & QUIZZES are open-book essay exams, & include ID's terminological definitions, and brief essays.

PAPERS:

1 3-page research prospectus (1 rewrite, 5%)

1 5-page expanded prospectus (1 rewrite, 10%)

1 15-page final research paper (1 rewrite, 30%)

Note 1: The first two prospectuses, each rewritten once, develop the concept, bibliography, and analytical structure of the final research project.

Note 2: "Excellent" writing means 2 things: 1. error-free style and language; 2. an expository essay that defends a thesis (i.e., that proves a point). Mere BOOK REPORTS do not constitute excellent writing.

Note 3: For purposes of this class, a PAGE of student writing = 250 words.

PRESENTATION: 1 10-minute oral presentation (with Q & A; 10%)

About the Professor

Michael Harney received his Ph.D. from the University of California, Berkeley. ??He specializes in?Medieval Peninsular Literature?and Golden Age Peninsular Literature, and his?research interests include?Medieval and Renaissance Spanish Literature, Comparative literature, literary theory, and cultural theory.??In addition to the Don Quijote TC, he teaches Advanced Grammar and Composition I. 

A survey of the social, political, and cultural history of Spain.

Please check back for updates.

A survey of the social, political, and cultural history of Spain.

FALL 2009
PLAN II T C 357 
READING DON QUIJOTE-W 
 
UNIQUE #  43825
MEETING: MWF 12:00 – 1:00 CRD 007A
PROF:  MICHAEL HARNEY [Dept. of Spanish & Portuguese]
  3.148 BEN /  232-7143 / harney@mail.utexas.edu / OFFICE HRS: MW 1-1:30; F 1-3 
 
          
DESCRIPTION
A course devoted to a close reading of the entire text of Cervantes's Don Quijote. Most literary historians
consider this book to be the first modern novel. Many famous novelists in the four centuries since its
publication regard it as their favorite. It is a long novel (more or less a thousand pages in the typical
edition). We will read the whole book in the course of the fifteen-week semester. By CLOSE READING
is meant an approach that focuses on precise understanding of the text. The professor teaching this course
believes that one must first READ THE LINES before reading BETWEEN them. At the same time, the
project of reading a work so rich in cultural and literary references has to be enhanced by frequent
discussion of historical, literary, philosophical, folkloric, linguistic, ethnographic, and sociological
background. You have to learn a lot about Golden Age Spain and Early Modern Europe to get the vast
and complicated joke of this novel. We will therefore digress as often as is convenient, explaining
recondite details and pointing out parallels and analogies as best we can. In addition, we will refer
frequently to one optional but highly recommended work of criticism: Mikhail Bakhtin's The World of
Rabelais. The latter work offers a theory that explains the cultural spirit of Cervantes, and his time, place,
and people. At the same time, it situates Don Quijote in a literary, folkloric, and cultural tradition that
stretches back thousands of years, while looking forward to our own world, a reality in many ways
preconditioned by that of Imperial Spain.
 
GRADING SYSTEM1
 
TESTS:  2 QUIZZES (10%); 1 MID-TERM with take-home essay component (15%); one FINAL EXAM
with essay component (20%). MT, FINAL & QUIZZES are open-book essay exams, & include ID's
terminological definitions, and brief essays. 
PAPERS: 1 750-word research prospectus (1 rewrite, 5%); 1 1250-word expanded prospectus (1 rewrite,
10%); 1 3000-word final research paper (1 rewrite, 35%)
ATTENDANCE: (5%). All students are expected to participate actively in class discussions. Attendance is
taken each class day at 12:30 PM. Three unexcused absences are allowed. Each additional unexcused absence
will result in a 1% deduction from the final course grade average, up to 5%. 
Note 1: The first two prospectuses, each rewritten once, develop the concept, bibliography, and analytical
structure of the final research project. 
Note 2: "Excellent" writing means 2 things: 1. error-free style and language; 2. an expository essay that defends
a thesis (i.e., that proves a point). Mere BOOK REPORTS do not constitute excellent writing.
Note 3: Plus/minus grades will be assigned for the final course grade. 
TEXTS.  REQUIRED: 1. Don Quijote (electronic edition, provided by instructor).
RECOMMENDED: 1. Mikhail Bakhtin, Rabelais and His World; 2. Penguin  Dictionary of
Literary Terms & Literary Theory (or similar reference work).
                                                
1 COURSE SATISFIES SUBSTANTIAL WRITING COMPONENT REQUIREMENTS.

DETAILED SYLLABUS
ASSIGNED READINGS,QUIZZES, EXAMS, DEADLINES, ETC. 
 
 
WED 26 AUG FIRST DAY / INTRO TO COURSE 
 
 
FRI 28 AUG  
 
DQ, preliminary matter
chap. 1 Which treats of the character and pursuits of the famous gentleman Don Quixote of La
Mancha
chap. 2 Which treats of the first sally the ingenious Don Quixote made from home
 
MON  31 AUG  
 
chap. 3 Wherein is related the droll way in which Don Quixote had himself dubbed a knight
chap. 4 Of what happened to our knight when he left the inn
chap. 5 In which the narrative of our knight's mishap is continued
 
WED 2 SEPT   
 
chap. 6 Of the diverting and important scrutiny which the curate and the barber made in the library of
our ingenious gentleman
chap. 7 Of the second sally of our worthy knight Don Quixote of La Mancha
chap. 8 Of the good fortune which the valiant Don Quixote had in the terrible and undreamt-of
adventure of The windmills, with other occurrences worthy to be fitly recorded
 
 
FRI 4 SEPT  
 
chap. 9 In which is concluded and finished the terrific battle between the gallant Biscayan and the
valiant Manchegan 
chap. 10 Of the pleasant discourse that passed between Don Quixote and his squire Sancho Panza 
chap. 11 Of what befell Don Quixote with certain goatherds
chap. 12 Of what a goatherd related to those with Don Quixote

MON 7 SEPT LABOR DAY HOLIDAY
 
WED 9 SEPT  
 
chap. 13 In which is ended the story of the shepherdess Marcela, with other incidents
chap. 14 Wherein are inserted the despairing verses of the dead shepherd, together with other incidents
not looked for 
 
FRI 11 SEPT  
 
chap. 15 In which is related the unfortunate adventure that Don Quixote fell in with when he fell out
with certain heartless Yanguesans  
chap. 16 Of what happened to the ingenious gentleman in the inn which he took to be a castle
 
MON 14 SEPT  
 
chap. 17 In which are contained the innumerable troubles which the brave Don Quixote and his good
squire Sancho Panza endured in the inn, which to his misfortune he took to be a castle   
chap. 18 In which is related the discourse Sancho Panza held with his master, Don Quixote, and other
adventures worth relating
chap. 19 Of the shrewd discourse which Sancho held with his master, and of the adventure that befell
him with a dead body, together with other notable occurrences
chap. 20 Of the unexampled and unheard-of adventure which was achieved by the valiant Don
Quixote of La Mancha with less peril than any ever achieved by any famous knight in the world
 
WED 16 SEPT  
 
chap. 21 Which treats of the exalted adventure and rich prize of Mambrino's helmet, together with
other things that happened to our invincible knight 
chap. 22 Of the freedom Don Quixote conferred on several unfortunates who against their will were
being carried where they had no wish to go 
 
FRI 18 SEPT 
 
chap. 23 Of what befell Don Quixote in the Sierra Morena, which was one of the rarest adventures
related in this veracious history   
chap. 24 In which is continued the adventure of the Sierra Morena
 
MON 21 SEPT  
 
chap. 25 Which treats of the strange things that happened to the stout knight of La Mancha in the
Sierra Morena, and of his imitation of the penance of Beltenebros
chap. 26 In which are continued the refinements wherewith Don Quixote played the part of a lover in
the Sierra Morena
chap. 27 Of how the curate and the barber proceeded with their scheme; together with other matters
worthy of record in this great history
 
WED 23 SEPT  
 
chap. 28 Which treats of the strange and delightful adventure that befell the curate and the barber in
the same Sierra
chap. 29 Which treats of the droll device and method adopted to  extricate our love-stricken knight
from the severe penance he had imposed upon himself
 
FRI 25 SEPT  QUIZ 1
 
chap. 30 Which treats of address displayed by the fair Dorothea, with other matters pleasant and
amusing
chap. 31 Of the delectable discussion between Don Quixote and Sancho Panza, his squire, together
with other incidents
 
MON 28 SEPT  
 
chap. 32 Which treats of what befell Don Quixote's party at the inn
chap. 33 In which is related the novel of "The Ill-Advised Curiosity"
chap. 34 In which is continued the novel of "The Ill-Advised Curiosity"
chap. 35 Which treats of the heroic and prodigious battle Don Quixote had with certain skins of red
wine, and brings the novel of "The Ill-Advised Curiosity" to a close 
chap. 36 Which treats of more curious incidents that occurred at the inn
 
WED 30 SEPT 
 
chap. 37 In which is continued the story of the famous Princess Micomicona, with other droll
adventures
chap. 38 Which treats of the curious discourse Don Quixote delivered on arms and letters 
chap. 39 Wherein the captive relates his life and adventures

FRI 2 OCT  3-PAGE PROSPECTUS  [electronic submissions accepted]
 
chap. 40 In which the story of the captive is continued
chap. 41 In which the captive still continues his adventures
chap. 42 Which treats of what further took place in the inn, and of several other things worth knowing
 
MON  5 OCT  
 
chap. 43 Wherein is related the pleasant story of the muleteer, together with other strange things that
came to pass in the inn
chap. 44 In which are continued the unheard-of adventures of the inn
chap. 45 In which the doubtful question of Mambrino's helmet and the pack-saddle is finally settled,
with other adventures that occurred in truth and earnest
chap. 46 Of the end of the notable adventure of the officers of the Holy Brotherhood; and of the great
ferocity of our worthy knight, Don Quixote
chap. 47 Of the strange manner in which Don Quixote of La Mancha was carried away enchanted,
together with other remarkable incidents
 
WED 7 OCT  
 
chap. 48 In which the canon pursues the subject of the books of chivalry, with other matters worthy of
his wit
chap. 49 Which treats of the shrewd conversation which Sancho Panza held with his master Don
Quixote
chap. 50 Of the shrewd controversy which Don Quixote and the canon held, together with other
incidents
 
FRI 9 OCT  REWRITE OF 3-PAGE PROSPECTUS [electronic submissions accepted]
 
chap. 51 Which deals with what the goatherd told those who were carrying off Don Quixote
chap. 52 Of the quarrel that Don Quixote had with the goatherd, together with the rare adventure of the
penitents, which with an expenditure of sweat he brought to a happy conclusion
 
MON 12 OCT  REVIEW
 
WED 14 OCT  REVIEW
 
FRI 16 OCT MID-TERM EXAM [BLUE BOOK REQUIRED]
 
 
 
MON 19 OCT  
 
Part II, preliminary matter and prologue
chap. 1 Of the interview the curate and the barber had with Don Quixote about his malady
chap. 2 Which treats of the notable altercation which Sancho Panza had with Don Quixote's niece, and
housekeeper, together with other droll matters
chap. 3 Of the laughable conversation that passed between Don Quixote, Sancho Panza, and the
bachelor Samson Carrasco
chap. 4 In which Sancho Panza gives a satisfactory reply to the  doubts and questions of the bachelor
Samson Carrasco, together with other matters worth knowing and telling
chap. 5 Of the shrewd and droll conversation that passed between Sancho Panza and his wife Teresa
Panza, and other matters worthy of  being duly recorded
 
WED 21 OCT  SUBMIT MID-TERM ESSAYS  [electronic submissions accepted]
 
chap. 6 Of what took place between Don Quixote and his niece and housekeeper; one of the most
important chapters in the whole history
chap. 7 Of what passed between Don Quixote and his squire,  together with other very notable
incidents
chap. 8 Wherein is related what befell Don Quixote on his way to see his lady Dulcinea Del Toboso
chap. 9 Wherein is related what will be seen there
 
FRI 23 OCT 5-PAGE PROSPECTUS  [electronic submissions accepted]
 
chap. 10 Wherein is related the crafty device Sancho adopted to enchant the lady Dulcinea, and other
incidents as ludicrous as they are true
chap. 11 Of the strange adventure which the valiant Don Quixote had with the car or cart of "The
Cortes of Death"
chap. 12 Of the strange adventure which befell the valiant Don Quixote with the bold knight of the
mirrors
chap. 13 In which is continued the adventure of the knight of the grove, together with the sensible,
original, and tranquil colloquy that passed between the two squires
 MON 26 OCT 
 
chap. 14 Wherein is continued the adventure of the knight of the grove
chap. 15 Wherein it is told and known who the knight of the mirrors and his squire were
chap. 16 Of what befell Don Quixote with a discreet gentleman of La Mancha
chap. 17 Wherein is shown the furthest and highest point which  the unexampled courage of Don
Quixote reached or could reach; together with the happily achieved adventure of the lions
chap. 18 Of what happened Don Quixote in the castle or house of the knight of the Green Gaban,
together with other matters out of the common
chap. 19 In which is related the adventure of the enamoured  shepherd, together with other truly droll
incidents
 
WED  28 OCT 
 
chap. 20 Wherein an account is given of the wedding of Camacho  the rich, together with the incident
of Basilio the poor
chap. 21 In which Camacho's wedding is continued, with other delightful incidents
chap. 22 Wherin is related the grand adventure of the cave of Montesinos in the heart of La Mancha,
which the valiant Don Quixote  brought to a happy termination 
chap. 23 Of the wonderful things the incomparable Don Quixote said he saw in the profound cave of
Montesinos, the impossibility and magnitude of which cause this adventure to be deemed
apocryphal 
 
FRI  30 OCT 
 
chap. 24 Wherein are related a thousand trifling matters, as trivial as they are necessary to the right
understanding of this great history
chap. 25 Wherein is set down the braying adventure, and the  droll one of the puppet-showman,
together with the memorable divinations of the divining ape
chap. 26 Wherein is continued the droll adventure of the  puppet-showman, together with other things
in truth right good
 
MON 2 NOV 
 
chap. 27 Wherein it is shown who master Pedro and his ape were, together with the mishap Don
Quixote had in the braying  adventure, which he did not conclude as he would have liked or as he
had expected

chap. 28 Of matters that Benengeli says he who reads them will know, if he reads them with attention
chap. 29 Of the famous adventure of the enchanted bark
chap. 30 Of Don Quixote's adventure with a fair huntress
chap. 31 Which treats of many and great matters
 
 
WED  4 NOV 
 
chap. 32 Of the reply Don Quixote gave his censurer, with other incidents, grave and droll
chap. 33 Of the delectable discourse which the duchess and her damsels held with Sancho Panza, well
worth reading and noting
chap. 34 Which relates how they learned the way in which they  were to disenchant the peerless
Dulcinea del Toboso, which is one of the rarest adventures in this book
chap. 35 Wherein is continued the instruction given to Don Quixote touching the disenchantment of
Dulcinea, together with other marvelous incidents
 
 
FRI 6 NOV  REWRITE OF 5-PAGE PROSPECTUS [electronic submissions accepted]
 
chap. 36 Wherein is related the strange and undreamt-of  adventure of the distressed duenna, alias the
Countess Trifaldi, together with a letter which Sancho Panza wrote to his wife, Teresa Panza
chap. 37 Wherein is continued the notable adventure of the distressed duenna
chap. 38 Wherein is told the distressed duenna's tale of her misfortunes
chap. 39 In which the Trifaldi continues her marvellous and memorable story
 
MON 9 NOV 
 
chap. 40 Of matters relating and belonging to this adventure and to this memorable history
chap. 41 Of the arrival of Clavileño and the end of this protracted adventure
chap. 42 Of the counsels which Don Quixote gave Sancho Panza  before he set out to govern the
island, together with other well-considered matters
chap. 43 Of the second set of counsels Don Quixote gave Sancho Panza
chap. 44 How Sancho Panza was conducted to his government, and  of the strange adventure that
befell Don Quixote in the castle
 WED 11 NOV 
 
chap. 45 Of how the great Sancho Panza took possession of his island, and of how he made a
beginning in governing
chap. 46 Of the terrible bell and cat fright that Don Quixote got in the course of the enamoured
Altisidora's wooing
chap. 47 Wherein is continued the account of how Sancho Panza conducted himself in his government
 
FRI 13 NOV  QUIZ 2
 
chap. 48 Of what befell Don Quixote with Dona Rodríguez, the duchess's duenna, together with other
occurrences worthy of record and eternal remembrance
chap. 49 Of what happened Sancho in making the round of his island
chap. 50 Wherein is set forth who the enchanters and executioners were who flogged the duenna and
pinched Don Quixote, and also what befell the page who carried the letter to Teresa Panza, Sancho
Panza's Wife
 
MON 16 NOV
 
chap. 51 Of the progress of Sancho's government, and other such entertaining matters
chap. 52 Wherein is related the adventure of the second  distressed or afflicted duenna, otherwise
called Dona Rodriguez
chap. 53 Of the troublous end and termination Sancho Panza's  government came to
chap. 54 Which deals with matters relating to this history and no other
 
WED 18 NOV
 
chap. 55 Of what befell Sancho on the road, and other things that cannot be surpassed
chap. 56 Of the prodigious and unparalleled battle that took place between Don Quixote of La Mancha
and the lackey Tosilos in defence of the daughter of Dona Rodríguez
chap. 57 Which treats of how Don Quixote took leave of the duke, and of what followed with the witty
and impudent Altisidora, one of the duchess's damsels
 
 
FRI 20 NOV
 
chap. 58 Which tells how adventures came crowding on Don Quixote in such numbers that they gave
one another no breathing-time

chap. 59 Wherein is related the strange thing, which may be regarded as an adventure, that happened
Don Quixote
chap. 60 Of what happened Don Quixote on his way to Barcelona 
chap. 61 Of what happened Don Quixote on entering Barcelona, together with other matters that
partake of the true rather than of the ingenious
chap. 62 Which deals with the adventure of the enchanted head, together with other trivial matters
which cannot be left untold
chap. 63 Of the mishap that befell Sancho Panza through the  visit to the galleys, and the strange
adventure of the fair Morisco
chap. 64 Treating of the adventure which gave Don Quixote more  unhappiness than all that had
hitherto befallen him
 
MON 23 NOV 
 
chap. 65 Wherein is made known who the knight of the white moon was; likewise Don Gregorio's
release, and other events
chap. 66 Which treats of what he who reads will see, or what he who has it read to him will hear
chap. 67 Of the resolution Don Quixote formed to turn shepherd and take to a life in the fields while
the year for which he had given his word was running its course; with other events truly delectable
and happy
chap. 68 Of the bristly adventure that befell Don Quixote
chap. 69 Of the strangest and most extraordinary adventure that befell Don Quixote in the whole
course of this great history
 
WED 25 NOV  FIRST DRAFT OF FINAL PAPER 
 
chap. 70 Which follows sixty-nine and deals with matters indispensable for the clear comprehension of
this history
chap. 71 Of what passed between Don Quixote and his squire Sancho on the way to their village
chap. 72 Of how Don Quixote and Sancho reached their village
chap. 73 Of the omens Don Quixote had as he entered his own village, and other incidents that
embellish and give a color to this great history
chap. 74 Of how Don Quixote fell sick, and of the will he made, and how he died
 
THU/FRI 26/27 NOV  THANKSGIVING HOLIDAY
 
 MON  30 NOV REVIEW PART I
 
WED  2 DEC  REVIEW PART II
 
FRI   4 DEC  LAST CLASS DAY
   REVIEW GENERAL THEMES
 
 
FRI 11 DEC: SUBMIT FINAL DRAFT OF TERM PAPER [hard
copy by 4:45 PM in Spanish Department Office, BEN
2.116? ELECTRONIC  SUBMISSIONS by 12 midnight]
MON 14 DEC: FINAL EXAM  9:00–12:00 noon [BLUE BOOK
REQUIRED]

Spanish Civilization provides an overview of the geography, history, art, architecture, music, and literature of Spain. The course is structured chronologically.  We begin with the pre-history of the Iberian Peninsula (the Cave of Altamira) and end with present-day Spain.  Special topics we will study over the course of the semester includeconvivencia, the watershed events that took place in 1492 (the conquest of Granada and the completion of the Reconquest, the expulsion of the Jews, and the first voyage of Columbus), the Spanish Missions in Texas, and the Spanish Civil War.  

Please check back for updates.

A survey of the social, political, and cultural history of Spain.

 SPN 325L Introduction to Spanish American Literature since Modernism (2nd summer session).
 
COURSE DESCRIPTION
This course offers a survey of major literary trends and writers of Spanish American literature since Modernism within a cultural context. While the course uses a selection of works that are recognized by critics, specialists, and readers as the most outstanding, it will also include other less-known authors that are equally notable in order to reflect the diversity of Spanish American literature. Most works will be read in their entirety; however, an occasional work may be abridged. The course will include the four genres and will require both textual and thematic analyses of the works so as to prepare students for more advanced courses.
 
COURSE OBJECTIVES
This course is designed to help you
·       read and understand literary texts within an historical and cultural context;
·       foster and develop an individual critical points of view;
·       analyze and compare different literary texts; and
·       write short responses and essays that focus on text and thematic analysis.

Please check back for updates.

A survey of the social, political, and cultural history of Spain.

Study and practice of Spanish grammar, focusing on grammar points of particular concern to English speakers. Includes oral exercises and guided composition.

Study and practice of Spanish grammar, focusing on grammar points of particular concern to English speakers. Includes oral exercises and guided composition.

Study of Cervantes's Don Quijote in depth in the original Spanish. Examines the author's views on artistic freedom, as well as his manipulation of literary genres and conventions, with his questions regarding the dominant political, religious, and literary discourses of early modern Spain.

A survey of the social, political, and cultural history of Spain.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

Develops writing skills needed for upper-division coursework in Spanish. Emphasizes grammar in Spanish language, literature, and culture, exploring different compositional styles.

A survey of the social, political, and cultural history of Spain.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

Study of Cervantes's Don Quijote in depth in the original Spanish. Examines the author's views on artistic freedom, as well as his manipulation of literary genres and conventions, with his questions regarding the dominant political, religious, and literary discourses of early modern Spain.

A survey of the social, political, and cultural history of Spain.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

A survey of the social, political, and cultural history of Spain.

Main literary trends and principal writers from the Middle Ages through the Golden Age.

Study of Cervantes's Don Quijote in depth in the original Spanish. Examines the author's views on artistic freedom, as well as his manipulation of literary genres and conventions, with his questions regarding the dominant political, religious, and literary discourses of early modern Spain.