Edmund T. Gordon

This course provides students with an introduction to Black Studies. In the first section of the course we consider the history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We then turn to considerations of the historical construction of Africa, the Black Diaspora, and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections. The second section of the course focuses on Black cultures, power, and politics. It utilizes the analytical tools provided by the course to forge an understanding of Black gendered cultural forms. The third section of the course focuses in on the expression and use of Black Studies and the ethical questions raised by applying this perspective to everyday concerns in critical areas of social inequity.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

Class meets July 3-August 15. Faculty-led Study Abroad Program taught in Bluefields, Nicaragua. Students must consult department as travel and orientation dates may be in addition to these dates.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

This course focuses on the “Crisis” of African American males in the U.S. In doing so it explores patriarchy, gender relations, and stereotypes as they affect black women and men. The course will use black culture as a means of exploring the different ways in which black men and women encounter anti-black racism in this society, the ways in which they resist, and the impact this has on their everyday experiences and cultural practices. The emphasis on patriarchy in the black communities is a theoretical stance that understands gender as a social construction that orders power inequalities in human societies in articulation with processes of race and class. The course shows how this frames black everyday cultural practices, the interactions between black men and women, and the ways that black men and women are perceived by the larger society.

Grading breakdown:

Take Home Exam 1 – 25%

Take Home Exam 2 – 25%

Essays (5-10 pages, 2) – 40%

Attendance and Participation – 10%

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

Almost three decades ago, anthropologist and pioneer of African Diaspora Studies, St. Clair Drake, asserted, “the diaspora analogy…needs constant critical analysis if it is to be a useful guide to research as well as a striking metaphor.”  This seminar is designed to introduce students to the variety of ideas that underlie the articulation of the construct of the “BlackDiaspora.”  Although structured through the understanding of the African diaspora as an historical formation, the focus is on the Blackdiaspora as a distinct intellectual project as well as a political one.  As such, we will explore the ways scholars have conceptualized and theorized the “diasporic condition” of Black peoples, and how the community is imagined. These questions have undergirded the contemporary struggle over the meanings of race, place, identity, and consciousness within the African diaspora. Thus, their full examination necessitates intensive discussions and explorations of a number of issues.  In our engagement with theorizations of the African diaspora, we will explore, among other things, global/transnational understandings and articulations of Blackness; the (indispensable?) role of Africa in diasporic identity formations; the relationship between politics and Black cultural production and expression; the interrelationship of race, culture, gender, sexuality and ethnicity; notions of “roots” and “routes” in structuring the diasporic condition; issues of cultural syncretism and hybridity; and the unstable contradiction between notions of “essentialist” origins and social constructions of Black identities.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.

This course will explore racial identity development by discussing innovative ways to think and talk about race. The course incorporates the use of lectures, readings, simulation exercises, group research project and extensive class discussion to assist students as they explore the psychological impact of racism on all students, regardless of ethnicity.

This course provides students with an introduction to Black Studies. The first section of the course is devoted to a history of Black Studies in the U.S. using the integration and development of Black Studies here at the University of Texas, Austin as a case study. We will then turn to considerations of the historical construction of Africa, the Black Diaspora and the idea of Blackness. Building on this foundation the course provides students with the analytical tools to critically explore canonical Black Studies literature, themes, and theories. This section of the course interrogates race, gender, class, sexuality, and their intersections as well as culture, power and politics. The second section of the course will focus in on the expression and use of Black Studies in the areas of: Critical Black Studies; Education, Psychology, and Mental Health; Government, Law and Public Policy; Expressive Culture, Arts, Music, Sports; and Africa and its Diasporic Cultures.Required Readings include: Karenga (1982), Hobsbawm and Ranger (1983), Fanon (1967), Lorber (1994, Williams (1983) 87-93, Dubois (1973), Moynihan (1965)

COURSE DESCRIPTION

This course will explore racial identity development by discussing innovative ways to think and talk about race. The course incorporates the use of lectures, readings, simulation exercises, group research project and extensive class discussion to assist students as they explore the psychological impact of racism on all students, regardless of ethnicity.

COURSE GOALS

Students enrolled in MSLI will Develop an understanding about racial identity development. Develop strategies for facilitating productive dialogue about racial issues. Focus on leadership issues affecting students of color and develop outcome strategies for improvement. Develop skills including research, public speaking, ethical and moral decision-making.

Textbooks The following textbooks are required: Almetris M. Duren, Overcoming: A History of Black Integration at the University of Texas at Austin, 1979, University Printing Division Beverly Daniel Tatum, Ph.D., 1997, “Why Are All the Black Kids Sitting Together in the Cafeteria?” 1997, Basics Books, Perseus Books Group

COURSE DESCRIPTION

This course will explore racial identity development by discussing innovative ways to think and talk about race. The course incorporates the use of lectures, readings, simulation exercises, group research project and extensive class discussion to assist students as they explore the psychological impact of racism on all students, regardless of ethnicity.

COURSE GOALS

Students enrolled in MSLI will

Ø   Develop an understanding about racial identity development.

Ø   Develop strategies for facilitating productive dialogue about racial issues.

Ø   Focus on leadership issues affecting students of color and develop outcome strategies for improvement. 

Ø   Develop skills including research, public speaking, ethical and moral decision-making.

African American Men and Women in Society.

This course will explore racial identity development by discussing innovative ways to think and talk about race. The course incorporates the use of lectures, readings, simulation exercises, group research project and extensive class discussion to assist students as they explore the psychological impact of racism on all students, regardless of ethnicity.   The main course textbook is Beverly Daniel Tatum, Ph.D., 1997,  “Why Are All the Black Kids Sitting Together in the Cafeteria?”

Internship in a community organization that facilitates the economic, political, and social development of Austin's African American community. Students participate in research projects under the supervision of a faculty member.

Topic: Afro-Indian stuggles for "el buen vivir" in the Americas.

This course examines the physical, social and economic dimensions of the urban crises with an emphasis on minority communities in general and African American’s in particular. We will explore the dynamics of race and class in American cities.  An interdisciplinary approach will be used to study contemporary issues such as poverty, education, politics and police brutality.

This seminar is a Pro-Colloquy in which a series of faculty members in and out of anthropology
interested in issues of Diaspora discuss their work with seminar participants. The course is meant
to give beginning grad students an introduction to Diaspora, critical race, critical gender, and
queer theories as well as to the faculty members on campus who teach in these areas. It is given
as a critical companion course to the Social Anthropology Core Course.

Women’s Self Determination and Empowerment through Community Engagement

 

Dr. Lanese Aggrey

Office: SSB 4.442

laggrey@austin.utexas.edu                                                                                                       512.232.6593 (office)

 

Class Time: Location:	Tuesdays, Thursdays: 12:30 - 2 p.m. Department of African and African-American Diasporan Studies
Office Hours:	Tuesday, Thursday after class.  Please arrange for appointment.
Course Description:	This academic service learning (ASL) course will:* Focus on the historical and contemporary role of African and African American women as they embody self-determination and empowerment through community engagement and social justice work. Through readings, film, music, reflection activities, classroom discussions, research and community service, this course offers an opportunity to learn about African and African-American women’s role in the shaping of their nations and their communities Participate in service to a community partner serving African-American women in a local, national or global community, or participate in the development of a community organization to serve this population. This course will be conducted as a seminar. That is, students are expected to participate in graduate level type discussion groups and will be evaluated by their preparation and conduct in these discussion groups. Groups of students will be expected to lead selected discussions on readings, films and/or reflections.  Students not selected to lead that week’s discussion are expected to fully participate in the discussions and will be evaluated as such.  The professor’s role is to help facilitate discussion and reflection activities.
Objectives	Course Objectives:  An academic experience that offers historical and contemporary evidence of African and African-American womens‘ self-determination and agency.  Broadly, the curriculum will be connected to service to a community organization serving this population and/or research that contributes to the development of a community organization.   Learning Objectives:  That knowledge gained in this course is fully integrated into general knowledge, not viewed as an add-on. That students will learn about African and African-American women’s contributions to society That students will learn about African and African-American women in Austin That via reflective activities, students will have opportunities to learn more about themselves while they learn about this population That this combination of academic learning with service to the community will offer students a richer, deeper and more complex understanding of African and African-American women’s agency.
Requirements:	Course Attendance/Class Participation                                               25pts (Participation includes, but is not limited to, class attendance, course readings, films and discussion participation about those readings, discussion of reflection activities, completion of service hours with community partner.  Effort to critically engage the curriculum, discussions, service assignments). Preparation/Facilitation of Weekly Discussions:                               25 pts Service Activities:                                                                               25 pts Reflection Activities:                                                                           25 pts
Evaluation:	A                95 – 100 pts A-              90 – 94 pts B                85 – 89 pts B-              80 – 84 pts C                75 – 79 pts C-              70 – 74 pts. D                65 – 69 pts D-              60 – 64 pts F                01 – 59 pts
Possible Text:	Text will be provided by either Blackboard, email attachment or printed form.

 

Class Policies Details                                                             Other Policies

1.         Attendance/Tardiness: Attendance and prompt arrival to class are mandatory.  Beyond two absences, each absence will result in 5 points being subtracted from the final grade points. An individual exception will be made only in the event of properly documented extenuating circumstances beyond the student's control.  Tardiness beyond a few SHORT minutes is not acceptable.  Without a valid excuse, tardiness after attendance is taken will be considered an absence.  Please be considerate of your classmates and the instructor by trying your best to be on time. 2.         Late Assignments/Incompletes: Assignments are due on the date assigned.  Three points per day (including weekends) will be deducted for late assignments.  Incompletes for the course will only be given in the case of extenuating circumstances beyond the student's control.  3.         Research paper format: Because this course is designed to emulate a graduate student seminar, any research papers for the course requires the APA editorial style as the standard format for all written assignments.  Details of the APA style are included in the Publication Manual of the American Psychological Association, 4th Edition.  Abbreviated versions may be found online via Google. 5.         Participation: Student’s level of active participation will be assessed in three ways: through group work, community service, reflection activities and individual classroom discussion. 6.         Group conflict: Groups are expected to resolve challenges within their group context.  The instructor is willing to serve as consultant if groups are unable to resolve their differences. Groups are not penalized in their grade for consulting with the instructor. 7.         Respect: The instructor and classmates have the ethical responsibility to see that the class environment is maintained as a respectful and confidential setting. In addition, a student’s class performance, grade, and any other personal information the student discusses with the instructor will be kept confidential. 8.         Professional Conduct in Class  The professor expects students to act like professionals in class. This means students should arrive on time for class, be prepared to participate in the class discussion, and show respect for one another’s opinions. We will not, nor should we, always agree with one another. In this environment we should be exposed to diverse ideas and opinions, and sometime we will not agree with the ideas expressed by others. However, the professor does require that students engage one another with respect and professionalism.     The University of Texas Honor Code The core values of The University of Texas at Austin are learning, discovery, freedom, leadership, individual opportunity, and responsibility. Each member of the university is expected to uphold these values through integrity, honesty, trust, fairness, and respect toward peers and community.   Policy on Scholastic Dishonesty Students who violate University rules on scholastic dishonesty are subject to disciplinary penalties, including the possibility of failure in the course and/or dismissal from the University.  Since such dishonesty harms the individual, all students, and the integrity of the University, policies on scholastic dishonesty will be strictly enforced.  For further information, the student may refer to the Web Site of the Student Judicial Services, Office of the Dean of Students (http://www.utexas.edu/depts/dos/sjs/).   Documented Disability Statement Any student who requires special accommodations must obtain a letter that documents the disability from the Services for Students with Disabilities area of the Division of Diversity and Community Engagement (471-6259 voice or 471-4641 TTY for users who are deaf or hard of hearing). Present the letter to the professor at the beginning of the semester so that needed accommodations can be discussed. The student should remind the professor of any testing accommodations no later than five business days before an exam. For more information, visit http://www.utexas.edu/diversity/ddce/ssd/.   Religious Holidays By UT Austin policy, students must notify the professor of a pending absence at least fourteen days prior to the date of observance of a religious holy day. If the student must miss a class, an examination, a work assignment, or a project in order to observe a religious holy day, the professor will give the student an opportunity to complete the missed work within a reasonable time after the absence.   Use of E-Mail for Official Correspondence to Students Email is recognized as an official mode of university correspondence; therefore, students are responsible for reading their email for university and course-related information and announcements. Students are responsible to keep the university informed about changes to their e-mail address. Students should check their e-mail regularly and frequently—daily, but at minimum twice a week—to stay current with university-related communications, some of which may be time-sensitive. Students can find UT Austin’s policies and instructions for updating their e-mail address at http://www.utexas.edu/its/policies/emailnotify.php.   Use of Blackboard in Class Blackboard may be used in some instances as a means of communication.  However, this course will not use Blackboard exclusively for class assignments, etc.  Your flexibility is required.   Safety As part of professional social work education, students may have assignments that involve working in agency settings and/or the community. As such, these assignments may present some risks. Sound choices and caution may lower risks inherent to the profession. It is the student's responsibility to be aware of and adhere to policies and practices related to agency and/or community safety. Students should notify the professor regarding any safety concerns.    Behavior Concerns Advice Line (BCAL) If students are worried about someone who is acting differently, they may use the Behavior Concerns Advice Line to discuss by phone their concerns about another individual’s behavior. This service is provided through a partnership among the Office of the Dean of Students, the Counseling and Mental Health Center (CMHC), the Employee Assistance Program (EAP), and The University of Texas Police Department (UTPD). Call 512-232-5050 or visit http://www.utexas.edu/safety/bcal.   Emergency Evacuation Policy Occupants of buildings on the UT Austin campus are required to evacuate and assemble outside when a fire alarm is activated or an announcement is made.  Please be aware of the following policies regarding evacuation: Familiarize yourself with all exit doors of the classroom and the building. Remember that the nearest exit door may not be the one you used when you entered the building. If you require assistance to evacuate, inform the professor in writing during the first week of class. In the event of an evacuation, follow the professor’s instructions. Do not re-enter a building unless you’re given instructions by the Austin Fire Department, the UT Austin Police Department, or the Fire Prevention Services office.

 

*PLEASE NOTE:  The nature of academic service learning as a pedagogical  (instructional) method dictates that students, instructor as well as syllabus remain fluid.  In other words, the assignments for this course may change/fluctuate by necessity.  The classroom requirements/expectations, however, will not!  It is imperative that you remain comfortable with this possibility.

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

A capstone course fpr AFR majors focusing on black intellectual traditions.

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

Please check back for updates.

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test 

Prerequisite: For 698A, graduate standing in Latin American studies and consent of the supervising professor and the graduate adviser; for 698B, Latin American Studies 698A.

Offered on the credit/no credit basis only.

This course surveys African American cultural production from the 1600s to the present. Topics cover the circumstances and responses of blacks during North American enslavement, the Civil War, Reconstruction, Great Migration, The Harlem Renaissance, The Civil Rights Movement, and in contemporary contexts. Class sessions will reflect our reading of primary and secondary texts that embody a wide range of African American religious, political, social and artistic thought and production. The class will fill gaps in students’ knowledge about African American culture and history and provide a foundation for future Black Studies course work.

Required Texts:

Kindred (Octavia Butler)

Souls of Black Folk (W.E.B. Du Bois)

Why We Can’t Wait (Martin Luther King, Jr.)

Price of the Ticket (Frederick Harris)

Good Ole’ Fashioned Composition Notebook

Graded Assessments (100 points available):

Unannounced (10) Quiz #1 Kindred, lectures & other readings Unannounced

(10) Quiz #2 Souls of Black Folk, lectures & other readings

10/9/14: (30) Mid-term Test

Unannounced (10) Quiz #3 Why We Can’t Wait, lectures & other readings

Unannounced (10) Quiz #4 (Price of the Ticket; lectures & other readings

12/5/14: (30) Final Test