John M Weinstock

An introduction to the language and literature of Iceland mainly from the 12^th and 13^th centuries. The literature includes the Icelandic family sagas, Snorri’s Prose Edda, the Poetic Edda and the important but little loved skaldic poetry. The readings include excerpts from Hrólfs saga kraka (where B?ðvarr saves H?ttr from having bones thrown at him); from Kormaks saga (Kormak’s odd wooing of Steingerðr); and from Bjarnar saga hítdœlakappa (a bit of the feud between Bj?rn and Þórðr over the love of Oddný). By the end of the semester students will be able to tackle any variety of Icelandic prose with the aid of an Icelandic-English dictionary.

Texts
A New Introduction to Old Norse, Part I – Grammar by Michael Barnes; Part II – Glossary and Index of Names (Second Edition) by Anthony Faulkes; Part III – Reader (Second Edition) by Anthony Faulkes

Grading
Primarily take-home translations

Description:
What can a small minority group teach us about peaceful coexistence, sensible use of the environment and a meaningful rapport with the spiritual world?  In this interdisciplinary course we will learn about the Sami, an indigenous people living today mainly in the northern parts of Norway, Sweden, Finland and the Kola Peninsula of Russia.  Not too long ago commonly referred to as Lapps or Laplanders and often the victims of discrimination by the majority cultures in the area they inhabit, the Sami have, in recent years, received a greater degree of autonomy and their culture is being studied both by non-Sami scholars and by the Sami themselves.  Sami writers, musicians and graphic artists are being recognized worldwide.

We will first place the Sami in a historical-cultural context by examining factual materials, both historical and contemporary, on the Sami’s social and economic systems, religion, customs and values.  Many of the readings will have an outsider’s point of view, but there will be materials written by Sami scholars as well. In the major portion of the course we will view the Sami primarily from within; the Sami will present themselves through their literature, film, music and art.

This is a course with a Substantial Writing Component.

Required Reading:
Valkeapää, Nils-Aslak. The Sun, My Father.
Lehtola, Veli-Pekka. The Sámi People.
Gaski, Harald. In the Shadow of the Midnight Sun – Contemporary Sami Prose and Poetry.
Gaski, Harald. Sami Culture in a New Era: The Norwegian Sami Experience.
Gaup, Ailo. In Search of the Drum.
Gaup, Ailo. Night Between the Days or Jenssen, Frank A. The Salt Bin or Helander, Elina and Kaarina Kailo. No beginning, no end.
Stien, Laila. Antiphony.
Other texts at: https://webspace.utexas.edu/jmwein/sami (abbrev. WS: SámiSyllabus, SamiLoan, SamiExpressions)

Grading:
Informal writing: abstracts, summaries, etc. (20%)
Formal writing: research essay(s) totaling 3000 words: (40%)
Film review of Pathfinder, a film retelling an old Sami legend.  At least 4 pages (10%).
Exams (20%)
Class Participation (10%)

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WRITING FLAG COURSE

Ingmar Bergman (1918-2007) was arguably the greatest filmmaker of the twentieth century.  His career spanned over sixty years and includes such works as the sophisticated comedy Smiles of a Summer Night (1955), the allegorical Seventh Seal (1957), the avant-garde Persona (1966), the masterful television adaptation of Mozart’s The Magic Flute (1975), and the television miniseries Fanny and Alexander (1982).  He also wrote novels, plays, and scripts for many other filmmakers, including Bille August and Liv Ullmann.  In 2003, he directed the television film Saraband (2003), and in recent years, many of his films have been adapted for the stage.

This course is an introduction both to the films of Ingmar Bergman and to the viewing of films in general.  We will look at representative films by this prolific and gifted filmmaker, considering them in the contexts of the director's life, Scandinavian culture, and issues of film theory and aesthetics. 

ASSIGNMENTS AND GRADING:  One two-page paper (5%); one five-page paper which may be rewritten (25%); one storyboard (10%) accompanied by a five-page essay (25%), and five quizzes (25%; you may drop the lowest grade).   Class participation will count 10%.

REQUIRED TEXTS (for purchase and available on reserve at PCL):

Bordwell and Thompson:  Film Art:  An Introduction.  9th ed.; 6th ed. on reserve: PN 1995 B617 2001

 Peter Cowie:  Ingmar Bergman, PN 1998 A3 B46147 1982

Braudy and Cohen:  Film Theory and Criticism (FTC on syllabus), 6th ed. on reserve:  PN1995 B617 2001

RECOMMENDED:

Birgitta Steene:  Ingmar Bergman:  A Reference Guide.  (U of Amsterdam Press):  PN1998 A3 B46829 2005

French and French:  Wild Strawberries (BFI Film Classics):  PN 1997 S63 F74 1995

FILMS:

Port of Call, Prison, Monika, Sawdust and Tinsel, Smiles of a Summer Night, Wild Strawberries, The Seventh Seal, Through a Glass Darkly,  Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers, Scenes from a Marriage,  The Magic Flute, Fanny and Alexander, Document:  Fanny and Alexander, Saraband

Please check back for updates.

Please see advisor for more information.

Please see advisor for more information.

WRITING FLAG COURSE

Ingmar Bergman (1918-2007) was arguably the greatest filmmaker of the twentieth century.  His career spanned over sixty years and includes such works as the sophisticated comedy Smiles of a Summer Night (1955), the allegorical Seventh Seal (1957), the avant-garde Persona (1966), the masterful television adaptation of Mozart’s The Magic Flute (1975), and the television miniseries Fanny and Alexander (1982).  He also wrote novels, plays, and scripts for many other filmmakers, including Bille August and Liv Ullmann.  In 2003, he directed the television film Saraband (2003), and in recent years, many of his films have been adapted for the stage.

This course is an introduction both to the films of Ingmar Bergman and to the viewing of films in general.  We will look at representative films by this prolific and gifted filmmaker, considering them in the contexts of the director's life, Scandinavian culture, and issues of film theory and aesthetics. 

ASSIGNMENTS AND GRADING:  One two-page paper (5%); one five-page paper which may be rewritten (25%); one storyboard (10%) accompanied by a five-page essay (25%), and five quizzes (25%; you may drop the lowest grade).   Class participation will count 10%.

REQUIRED TEXTS (for purchase and available on reserve at PCL):

Bordwell and Thompson:  Film Art:  An Introduction.  9th ed.; 6th ed. on reserve: PN 1995 B617 2001

 Peter Cowie:  Ingmar Bergman, PN 1998 A3 B46147 1982

Braudy and Cohen:  Film Theory and Criticism (FTC on syllabus), 6th ed. on reserve:  PN1995 B617 2001

RECOMMENDED:

Birgitta Steene:  Ingmar Bergman:  A Reference Guide.  (U of Amsterdam Press):  PN1998 A3 B46829 2005

French and French:  Wild Strawberries (BFI Film Classics):  PN 1997 S63 F74 1995

FILMS:

Port of Call, Prison, Monika, Sawdust and Tinsel, Smiles of a Summer Night, Wild Strawberries, The Seventh Seal, Through a Glass Darkly,  Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers, Scenes from a Marriage,  The Magic Flute, Fanny and Alexander, Document:  Fanny and Alexander, Saraband

Please check back for updates.

Please check back for updates.

Please check back for updates.

WRITING FLAG COURSE

Ingmar Bergman (1918-2007) was arguably the greatest filmmaker of the twentieth century.  His career spanned over sixty years and includes such works as the sophisticated comedy Smiles of a Summer Night (1955), the allegorical Seventh Seal (1957), the avant-garde Persona (1966), the masterful television adaptation of Mozart’s The Magic Flute (1975), and the television miniseries Fanny and Alexander (1982).  He also wrote novels, plays, and scripts for many other filmmakers, including Bille August and Liv Ullmann.  In 2003, he directed the television film Saraband (2003), and in recent years, many of his films have been adapted for the stage.

This course is an introduction both to the films of Ingmar Bergman and to the viewing of films in general.  We will look at representative films by this prolific and gifted filmmaker, considering them in the contexts of the director's life, Scandinavian culture, and issues of film theory and aesthetics. 

ASSIGNMENTS AND GRADING:  One two-page paper (5%); one five-page paper which may be rewritten (25%); one storyboard (10%) accompanied by a five-page essay (25%), and five quizzes (25%; you may drop the lowest grade).   Class participation will count 10%.

REQUIRED TEXTS (for purchase and available on reserve at PCL):

Bordwell and Thompson:  Film Art:  An Introduction.  9th ed.; 6th ed. on reserve: PN 1995 B617 2001

 Peter Cowie:  Ingmar Bergman, PN 1998 A3 B46147 1982

Braudy and Cohen:  Film Theory and Criticism (FTC on syllabus), 6th ed. on reserve:  PN1995 B617 2001

RECOMMENDED:

Birgitta Steene:  Ingmar Bergman:  A Reference Guide.  (U of Amsterdam Press):  PN1998 A3 B46829 2005

French and French:  Wild Strawberries (BFI Film Classics):  PN 1997 S63 F74 1995

FILMS:

Port of Call, Prison, Monika, Sawdust and Tinsel, Smiles of a Summer Night, Wild Strawberries, The Seventh Seal, Through a Glass Darkly,  Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers, Scenes from a Marriage,  The Magic Flute, Fanny and Alexander, Document:  Fanny and Alexander, Saraband

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Description:

Norwegian 604 is the first of two semesters of the accelerated Norwegian sequence and emphasizes three main areas: 1) learning Norwegian vocabulary, structures and functions; 2) using the four skills of reading, writing, speaking, and listening; and 3) exploring Norwegian and American cultures as well as culture in general.

Texts/Readings

Sett i gang, Aarsvold & Lie

Grading/Requirements

Skills Development (40%)

25%: Written Assignments
15%: Oral Assignments

Skills Assessment (47.5%)

20%: Oral Assessments (5% each)
15%: Test Chapters (5% each)
7.5%: Book I exam 5
5% Quizzes

Misc. (12.5%)

7.5%: Participation (active participation in and preparation for class)
5%:  Cultural Activities

WRITING FLAG COURSE

Ingmar Bergman (1918-2007) was arguably the greatest filmmaker of the twentieth century.  His career spanned over sixty years and includes such works as the sophisticated comedy Smiles of a Summer Night (1955), the allegorical Seventh Seal (1957), the avant-garde Persona (1966), the masterful television adaptation of Mozart’s The Magic Flute (1975), and the television miniseries Fanny and Alexander (1982).  He also wrote novels, plays, and scripts for many other filmmakers, including Bille August and Liv Ullmann.  In 2003, he directed the television film Saraband (2003), and in recent years, many of his films have been adapted for the stage.

This course is an introduction both to the films of Ingmar Bergman and to the viewing of films in general.  We will look at representative films by this prolific and gifted filmmaker, considering them in the contexts of the director's life, Scandinavian culture, and issues of film theory and aesthetics. 

ASSIGNMENTS AND GRADING:  One two-page paper (5%); one five-page paper which may be rewritten (25%); one storyboard (10%) accompanied by a five-page essay (25%), and five quizzes (25%; you may drop the lowest grade).   Class participation will count 10%.

REQUIRED TEXTS (for purchase and available on reserve at PCL):

Bordwell and Thompson:  Film Art:  An Introduction.  9th ed.; 6th ed. on reserve: PN 1995 B617 2001

 Peter Cowie:  Ingmar Bergman, PN 1998 A3 B46147 1982

Braudy and Cohen:  Film Theory and Criticism (FTC on syllabus), 6th ed. on reserve:  PN1995 B617 2001

RECOMMENDED:

Birgitta Steene:  Ingmar Bergman:  A Reference Guide.  (U of Amsterdam Press):  PN1998 A3 B46829 2005

French and French:  Wild Strawberries (BFI Film Classics):  PN 1997 S63 F74 1995

FILMS:

Port of Call, Prison, Monika, Sawdust and Tinsel, Smiles of a Summer Night, Wild Strawberries, The Seventh Seal, Through a Glass Darkly,  Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers, Scenes from a Marriage,  The Magic Flute, Fanny and Alexander, Document:  Fanny and Alexander, Saraband

Please check back for updates.

Please check back for updates.

Please check back for updates.

Please check back for updates.

Please check back for updates.

WRITING FLAG COURSE

Ingmar Bergman (1918-2007) was arguably the greatest filmmaker of the twentieth century.  His career spanned over sixty years and includes such works as the sophisticated comedy Smiles of a Summer Night (1955), the allegorical Seventh Seal (1957), the avant-garde Persona (1966), the masterful television adaptation of Mozart’s The Magic Flute (1975), and the television miniseries Fanny and Alexander (1982).  He also wrote novels, plays, and scripts for many other filmmakers, including Bille August and Liv Ullmann.  In 2003, he directed the television film Saraband (2003), and in recent years, many of his films have been adapted for the stage.

This course is an introduction both to the films of Ingmar Bergman and to the viewing of films in general.  We will look at representative films by this prolific and gifted filmmaker, considering them in the contexts of the director's life, Scandinavian culture, and issues of film theory and aesthetics. 

ASSIGNMENTS AND GRADING:  One two-page paper (5%); one five-page paper which may be rewritten (25%); one storyboard (10%) accompanied by a five-page essay (25%), and five quizzes (25%; you may drop the lowest grade).   Class participation will count 10%.

REQUIRED TEXTS (for purchase and available on reserve at PCL):

Bordwell and Thompson:  Film Art:  An Introduction.  9th ed.; 6th ed. on reserve: PN 1995 B617 2001

 Peter Cowie:  Ingmar Bergman, PN 1998 A3 B46147 1982

Braudy and Cohen:  Film Theory and Criticism (FTC on syllabus), 6th ed. on reserve:  PN1995 B617 2001

RECOMMENDED:

Birgitta Steene:  Ingmar Bergman:  A Reference Guide.  (U of Amsterdam Press):  PN1998 A3 B46829 2005

French and French:  Wild Strawberries (BFI Film Classics):  PN 1997 S63 F74 1995

FILMS:

Port of Call, Prison, Monika, Sawdust and Tinsel, Smiles of a Summer Night, Wild Strawberries, The Seventh Seal, Through a Glass Darkly,  Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers, Scenes from a Marriage,  The Magic Flute, Fanny and Alexander, Document:  Fanny and Alexander, Saraband

Please check back for updates.